For years I have dedicated part of my time to the technical-pictorial development of screen printing to increasingly mature the creative vision grown with oil paintings.
Silkscreen printing should be considered a work of art on a par with an oil painting, even if with a different commercial value. In today's society, serigraphies represent the means to increasingly expand my linguistic universe; it serves to tell everyone what I think of life, of light, of the joy of existence, of all the beauty that surrounds us and that is also within us.
The Master while signing a serigraphy
To summarize, my research is aimed at a synthesis between colour, light and expressive awareness : “tiles” that build my stories, essential from a thematic point of view but complex and refined in terms of workmanship. The high quality of the serigraphies is, for me, the fundamental condition for considering it successful.
Initially, I approached lithography and then chalcography, but none of these mediums succeeded in giving me that cleanliness of gesture and especially that fullness of colour that I sought. Hence the choice of artistic silk screen printing, which with its nobility, allows me to best express my artistic vision and what I believe in.
Athos Faccincani
